Fortunately, there are endless cinematic options waiting for you to experience.
CHUNGKING EXPRESS MOVIE MOVIE
I’m not saying that in order for a movie to be brilliant it should be free of extraordinary drama and action to be more realistic, because if that were the case, the world of film would be flooded with Wong Kar-wai’s, and there would be no options. The beauty of this film comes from its universal and relatable occurrences to which nearly everyone can connect. If the questions, “Where exactly is the plot going?” or “When is the action going to happen?” pop into your head while watching this film, I advise you not to turn off your DVD player.
In“Chungking Express,” there are no plot twists, no action sequences and no attempts to please the audience with unbelievable drama or fairytale-like romance, but just pure cinematic poetry. This type of intimacy and realism is rare in many current Hollywood films. The strong dialogue makes the characters seem like real humans, not just actors in a film. The body loses water when you jog, so you have none left for tears.” There are countless other quips in the film that are sure to make you both think and smile. I have never encountered such brilliant dialogue in a film before, with standout lines such as, “We're all unlucky in love sometimes. The narration is always introspective and intimate, and not once feels superficial. The film is narrated by the main character on screen at the time, whether it is He, Cop 633, each of their ex-girlfriends or Faye. The two form an odd relationship, highlighted by Faye’s unconventional actions due to the pair’s miscommunications. Every day during his lunch break, he visits an outdoor fast food restaurant, where a young and eccentric employee named Faye (played by Faye Wong) immediately falls for him. The second section of the film follows the life of Cop 633, played by acclaimed actor Tony Leung Chiu Wai, after his breakup with an airline attendant. He insists that all the cans must expire on May first, hoping by that date she will return to him. In an effort to cope, he buys cans of pineapples every day during the month since she left him. The first part of the movie stars Takeshi Kaneshiro as He Zhiwu, a cop who recently was dumped by a woman named May, his girlfriend of five years. The film is a Hong Kong movie made in 1994 called “Chungking Express.”ĭirected by Wong Kar-wai, “Chungking Express” can be described as a poetic tale of two pairs of lovers in failing relationships. The film I saw is probably not very popular, since it is not an action flick or historical drama released in American cinemas this year. The amount of cinematic style, finesse and overall enjoyment I experienced while viewing it helped me come to the conclusion that it was one of my new favorite movies. Find out more here.A few days ago, I saw a film that completely mesmerized me. You might like to read more about the measures we're taking to reduce the risk from COVID-19, including allocated seating.
We're delighted to swing open the cinema door once more. It was supervised and approved by Wong Kar Wai.īelfast International Arts Festival return for their 59th edition from 6 October to 7 November with an extensive programme that gives audiences opportunities to both experience live performances again whilst also enjoying a selection of online events at home! This 4K digital restoration was undertaken from the 35mm original camera negative by the Criterion Collection in collaboration with L’Immagine Ritrovata and Jet Tone. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out restaurant stand, where the ethereal pixie waitress Faye (Faye Wong) works.Īnything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas and the Papas’ California Dreamin’ into tokens of romantic longing.
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